Sunday's Scrips: A Monthly Newsletter

Inaugural Newsletter Out Now

Did you get a copy of my Inaugural Newsletter: Sunday’s Scrips? It sent on July 7, 2023 and may have gone to your spam *boo*

Take a look here and be sure to share with anyone who might be interested.

I’m still working out the kinks, like why didn’t it show my mailing address? Why isn’t there an easy way to post it here without giving a link? It’s like how many licks it takes to get to the center of a Tootsie Pop: the world may never know. But I’m gonna do my best to find out!

Thanks for being here. I appreciate you.

Attending Haven I Writing Retreat: Part One

Attending Haven I Writing Retreat: Part One

Last month I was lucky enough to attend Haven I Writing Retreat, and while I posted several pictures from the retreat on Facebook, I’ve received many requests for additional information. The pictures are stunning and certainly tell part of the story, but not all of it. These requests for more information have felt a bit invasive, even as I understand them. I, too, would be asking for more if the roles were reversed. I haven’t quite been ready to discuss it, I suppose. It was all a bit overwhelming: emotionally, mentally, and physically too. Sometimes we just need to sit with our experiences awhile, marinate in them, before we have the words to express what they were and what they meant to us. Let’s see if I’ve marinated long enough.

Before attending Haven Writing Retreat, each applicant goes through an hour long phone call with Laura Munson, the multiple New York Times Best-Selling author and leader of the Retreat. For this reason alone, I almost didn’t attend. Silly? Maybe. I have two children, four and seven, and getting them to be silent for five seconds let alone one hour is an impossible task. My anxiety over being able to hear properly over a phone even without the kids around is high as we have pockets in our home where the connection gets lost or fuzzy and those pockets aren’t the same from day-to-day. The very idea that I may be asked something I don’t properly hear or understand is mildly terrifying, and the idea that I may say something that ought to have remained a thought (a very real concern) was almost more than I could stomach. But a few months ago a writer friend had instilled in me a need to go to a retreat and I would therefore attempt walking across water if that’s what was asked of me.

My hour long phone call became nearly three hours during which I cried (a lot), the emotions surrounding putting myself out there for my writing, truly claiming my writing as mine and what I want to do with my life, a thing I thought I’d already done, was soul opening. Meeting Laura on the phone was fascinating because I hadn’t yet read her books or anything else she’d published, I had no idea who she was other than the pictures I’d seen on the Haven website. I was a bit awed by her writer status (of course! An NYT B-S Author!! *swoon*) and to find that she was also a kind and thoughtful real-live person who reminds me quite a bit of myself…it was all a bit overwhelming. By the time the call was over I needed to do three things: pee, write a Haven Scholarship Application Letter, and find patrons/donors to cover the remainder of my fees.

The ensuing weeks were a blur of tears. A lot of emotions were coming up and out over this: “saying I’m a writer and actually going to a writing retreat are two different things,” “writing a monthly article for my paper is one thing, but going to a retreat with actual writers is another,” “going to this retreat means buckling down and writing a book, am I really doing this?,” “this retreat will legitimize me to the publishing industry as well as to anyone finding my page or following my Facebook,” “I’m about to find out from real live people that aren’t my friends or family whether or not I have a chance at doing this writing thing, whether or not there’s any there there.” Could I put any more pressure and expectation on this retreat? By the time I got myself packed and said my goodbyes to my family and hit the road, I was an exhausted and excited mess.

Arch
Arch

I’m lucky to live a short two hour drive from where the Retreat is held so I had plenty of time to decompress from the role of mother and wife and enter into the role of student and writer. As I approached the Retreat, the first thing I saw was a monolith of stone, a structure both organic and obviously man-made. There are tons of these throughout the Dancing Spirit Ranch, and I would spend the next few days stumbling onto most, if not all, of them.

Bunkhouse
Bunkhouse

Parking the car I went to the office to check-in and was given a quick tour of the bunkhouse (a gorgeous structure that deserves a much more sophisticated name), my room (adorable little cubby of rest), and shown where I would need to be and when.

Cozy Room
Cozy Room

I had about two hours before the other attendees and I would be meeting: two hours to do whatever I wanted. I went back to the car and grabbed my things: a backpack with my laptop and tons of pens and notebooks and reading books, and my duffel bag of clothes and toiletries. I dropped everything unceremoniously in my room, grabbed my journal, pen, and water bottle, and took off toward the Adirondack chairs by the pond.

Pond
Pond

No one else had arrived yet. I had acres of land to myself and so much I wanted to explore, I’d also been sitting for two hours already to get here. But I needed to write. I needed to put down for myself the story of the journey, the reveal of the Dancing Spirit Ranch, the anticipation and hope I had for what the next few days would bring. I needed to ground myself in the fact that I was actually there: this thing, attending a writing retreat, had become a reality. It was Day One of the rest of my writing life…there have been many Day One’s and I hope that never changes…but that’s another blog post.

The other writers began to arrive and I’d hear voices floating over to me or hear footsteps off to my right and look up to see someone attempting cell reception or taking photos of Glacier National Park in the distance. Beauty was everywhere you looked and the collective anticipation of the day was palpable. Everyone was here hoping to form a writing group, everyone was here hoping to find out they were on the right track. For that first night, the energy was buoying.

Lodge
Lodge

We all met in the Lodge for drinks and appetizers. We’d been introduced via email but especially as I was a late addition to the cast I had no real idea who anyone was aside from names. I was nervous and excited and terrified of what might come out of my mouth. I needn’t have been.

Continue the journey with Part Two here.

Body Work by Melissa Febos

Body Work: The Radical Power of Personal Narrative by Melissa Febos

This book can easily be gobbled up in a day, but the digestion would take several. Excellent. When I finished it I had so many papers stuck in the pages marking parts I wanted to return to that I essentially wanted to re-read the entire thing. Narrowing it down to these, some of my favorite quotes and what they mean to me below.

“I have found that a fulfilling writing life is one in which the creative process merges with the other necessary processes of good living, which only the individual can define.”

Every writing book I’ve ever read has tried to put into a single sentence what it means to be a writer. This is perfection though. It is going to be different for everyone. I believe it was Ann Patchett that got into an argument with another prominent writer over what it is to be a writer, because the other writer had some very exact proofs and Ann basically said, yeah but I don’t do that and I’m a writer. This sentence is the perfect yeah but. I have my ideal writing day (which has never happened), my usual writing day (most days of the month), and my uncommon writing days (kids get sick, it’s a perfect storm of deadlines and family visiting and the chickens have been attacked by a bear, or whatever). The bottom line is that my writing process isn’t the same from one day to another as much as I try to make it so. I’m no less a writer. And neither are you.

“I became a writer because the process helped me survive and it still does.”

I think I’ve mentioned before that I had a professor in college who essentially said, you write because you’re a writer, because you have to. I love the idea of writing for survival, although it all seems to very dramatic. Yet it’s true. I’ve never not written, which is a very double negative way of saying that if I’m not writing letters to friends and family then I’m writing in my journal, or posting on my blog, or working on a story or a novel or or or… We write because we must.

“The story that comes calling might be your own and it might not go away if you don’t open the door. I don’t believe in writer’s block. I only believe in fear.”

The most terrifyingly accurate thing I’ve ever heard about writer’s block. I absolutely believe we get to a point in our writing where we don’t know how to move forward, and it’s almost never because we genuinely don’t know what comes next. For me, I’ll become afraid that the thing I’m about to say is too unique to me to be understood by anyone else or that’s it’s too off-putting or that if I say this thing people might think it’s the autobiographical part of the fiction piece I’m working on or or or. But the bottom line is that I don’t stop writing because I have writer’s block. I have fear. I have fear around this thing I need to say and until I work through the fear, it’s not going to get written. That’s on me. I can’t blame the not-writing on writer’s block, only on my own fear.

“Empowerment often begins more subtly, with only a narrow ledge inside ourselves wide enough to hold a crumb of resistance.”

There are several paragraphs in this sentence. Stop resisting your own empowerment and write yourself off the ledge. (I say this to myself as much as to anyone else).

“Tenacity is often cited as the most common characteristic of successful authors.”

Once again, said in a different way and in a different voice, the bottom line is to keep going. Keep writing. Keep painting. Keep dancing. Whatever it is you do, keep doing it. The only way to fail is to stop trying.

“I cannot imagine nurturing a devotion to any practice more consistently than one which yields the reward of transformation, the assurance of lovability, and the eradication of regret.”

I hadn’t thought I wrote towards the “eradication of regret” but one of my stories proved to be so very autobiographical and soothing that I realized how lovely that would be. To be a memoirist whose words become the balm of their memory. I have always believed in writing (and reading) as yielding “the reward of transformation,” however, very much so. If you’re not being transformed by what you’re doing, what’s the point?

Have you read this book? What are your thoughts? What are some of your favorite quotes? Have any book suggestions for me? I’d love to hear from you.

Writing Down the Bones

Writing Down the Bones: Freeing the Writer Within by Natalie Goldberg

I have a shelf of books on writing (that’s a lie, they were on a shelf but they were being ignored and shelf space is at a premium, so I put them in a stack thinking “a stack of books could tip over; I will certainly read them if they’re stacked.” And I have been reading them so I guess there’s that). Amazing books on writing that I’ve collected over the years and I’m finally starting to read them. Last month I read Big Magic by Elizabeth Gilbert. Amazing. And this month I read Writing Down the Bones by Natalie Goldberg. These are some of my thoughts based on some of the things she said that really stood out for me.

“There is no permanent truth you can corner in a poem
that will satisfy you forever”

If you’ve been writing your whole life, it’s easy to look back on the things you’ve written and wonder who wrote them. A wonderful and also frightening thing. Isn’t it fascinating that the person you are now is so different from the person you were then? Isn’t it so incredible to be a person always changing, growing, becoming? Going through old writings is like running into someone I used to be really good friends with but we somehow grew apart and it’s sad and sweet to catch up with them again. I’m grateful when the catch-up is over and I can go back to the person I am now, the person I’m on my way to being, no longer waylaid by that trip to the past.

“In order to write about it, we have to go to the heart of it and know it,
so the ordinary and extraordinary flash before our eyes simultaneously”

Everyone says to write what you know. Everyone. More recently I hear writers giving the advice that one ought to make sure it’s their story to tell. That works too. I try every day to remind myself to look around me. There’s a light here that’s unlike the light of any other place I’ve ever been. They say the light in Paris is pink, something I’ve never noticed myself, and the light here, where I live is blue, sometimes purple. The light itself. Not the sky or the sunrise/sunset. The actual light, the molecules of air are tinted blue. It’s remarkable. And perfectly ordinary when you’ve lived here long enough to stop noticing.

“We are carried on the backs of all the writers who came before us”

I’ve always been an excellent myna bird; picking up a bit of slang here or an affected way of saying something there. I usually don’t even notice until I’ve said it a few times and then I realize I’m not speaking like me. It makes it easy to pick up the correct accent when learning a new language, difficult to shed when you’re trying to write something and it sounds familiar but you can’t place why. If imitation is the sincerest form of flattery, you’d think we wouldn’t worry about sounding like ourselves. What’s the point of writing if you’re not going to write yourself?

“I write because to form a word with your lips and tongue or think a thing and then dare to write it down so you can never take it back
is the most powerful thing I know”

A professor in college said something along the lines of “you write because you have to.” I forget that writing can be powerful because I’m so absorbed in the fact of writing, in the writing because I can’t not write. I love the idea of writing something powerful. I love even more than powerful, the idea that anything I say may matter to even one person.

“Finally, if you want to write, you have to just shut up,
pick up a pen, and do it”

And this is what it comes down to. I haven’t written any of my stories in three days because I’ve been dealing with sick kids and messed up sleep schedules and the general chaos that accompanies disease. I feel wound up, like I couldn’t possibly sleep even though I’m exhausted. I feel like I could stay up all night writing and not feel tired tomorrow. None of this is true, of course, because I’m 43 years old and a night without sleep is likely to derail my entire week. I know this. And yet…the not writing has created a sort of low frequency hum inside me. Sometimes, even if you don’t want to write, you have to just shut up and do it, because sometimes you have to write, there’s no choice in the matter.

What Success Means

What Success Means

I have the great fortune to be involved in a women’s group in my small town that’s full of incredible people. Every one of these women is very different. We meet as a group once a week to discuss a topic or do a craft or hear a speaker. The group was created to bring women in our small community together to support one another and connect on a deeper level. I am so beyond grateful to to the woman who created and runs the group, and appreciative of all the women who attend.

Last night we did a vision board craft. Everyone brought poster board and magazines, stickers, markers, glue. There was a lot of talking, a lot of laughing, a lot of connecting. We were all working on the same craft: vision boards. And every single board was different. Of course it was. We are all different. We all have different goals, different joys, different ideas of success. Of course we do. Of course our boards would all contain different images, words, colors.

Success’ literal meaning, dictionary wise, is the accomplishment of an aim/purpose.

That’s it.

You set a goal. You achieve it. Success.

That’s the magic formula.

Why then do we have these vastly wildly beautifully different ideas of what success is? Because everyone’s goals are different.

And if you’re truly lucky, if you’re really living your life, your goals are always changing, growing, getting better and different.

My hope for all these woman, myself included, is that our vision boards are reminders for our current goals, that we achieve them, that we create new vision boards that look radically different than these, repeat.

What does your vision board look like?

If You Could Be Someone Else

If You Could Be Someone Else

The easiest thing to do with today’s prompt is turn it into fiction: “If you could morph into anyone (alive, dead, fictional, etc.), who would it be and why?” But I can’t stop thinking about Elizabeth Strout, one of my favorite authors, and how I haven’t ever cyberstalked her to know anything about her real life, but how I’m so in love with her books/characters/writing style that I want to be her.

It wouldn’t make any sense, of course, precisely because I know nothing about her, and also because I don’t want to be anyone else. I love my life, my family, everything, I wouldn’t give up what I have for anything or to be anyone. It’s funny though, that I’m so enamored by her talent and style that I’d like to be her without being her. Does that even make sense?

So it’s not that I want to be her it’s that I want, in no particular order:

  • her talent
  • to have this amazing town created in my mind that I’m able to then describe in vivid detail to my readers
  • to have these fantastic characters with their idiosyncrasies that come to life on every page
  • to have already published multiple books
  • to be shortlisted for the Booker Prize
  • to be a #1 New York Times Bestselling author
  • to be a Pulitzer Prize winner

No big deal, right?

What I hear myself voicing is that I want to be an established prize winning author today, without doing all the grunt work that would get me there. Ha! But, yeah, I mean, essentially.

Another way of looking at this, perhaps a more constructive way of looking at this, is to say that Elizabeth Strout is at a place in her writing career, where I too would like to be someday. It’s not that I want to be her, but that I look up to her. She’s my professional heroine. She has done the work I want to do but haven’t yet done myself and she’s done it extremely well.

I suppose that means I haven’t actually succeeded in completing today’s writing prompt, but such is life. And now, to go cyberstalk…

If you don’t know who Elizabeth Strout is, you can learn more here (something I will also be doing shortly, because I am now in active cyberstalk mode. My mission: find out everything I can about her and indulge in a little “if we were BFF’s” fantasy).
This #writethirtyminutes session was prompted very loosely from “A Year of Writing Prompts” by Writer’s Digest, available here